Wednesday, February 27, 2013

Never in My Wildest Dreams--What a Night to Remember

Belva Davis and husband, Bill Moore
Mary G.F. Bitterman, Kim Roberts Hedgepeth, Carla Marinucci
This week has been a sojourn through important San Francisco Bay Area History. I will never look at Sutro Tower, that lone antenna on the highest peak in San Francisco, the same again after reading in Belva Davis's memoir Never in My Wildest Dreams: A Black Woman's Life in Journalism, how Davis and photographer, Dave Ambriz in 1973, rode up to the top on a make-shift lift, as the wind blew and she steeled herself for the shot for the news story assignment (Davis 132).

But this type of assignment, produced really edgy coverage on the noon time show she anchored. It also allowed Davis the leverage later on to produce some of her more coveted award-winning features on issues previously not covered by the press, an exclusive club for white men, she and others slowly changed.

Fred Zehnder, Roxanne Russell
If one looks at her series on breast cancer, AIDS, the Black Panther Party, COINTELPRO (before the  investigations into illegal FBI and police surveillance), 3-Strikes Law in California, one sees how despite her job to present the news clearly and comprehensively, Davis began to pitch and get assignments which spoke to her personally, a child born in Monroe, Louisiana, in the Depression to a 15 year old laundress, self-educated entrepreneurial dad. Davis, raised in West Oakland initially in the basement of a Victorian mansion on dirt floors.

Belva's children: Steven Davis with sister, Darolyn Davis
I see why Bill Cosby calls the names of freedom fighters like Harriet Tubman when he speaks of Davis's legacy at her tribute at Yerba Buena Center for the Arts last night. When one reads of how far she has come, the journey sounds like she could have known Tubman (smile). Dirt floors in an urban enclave in the 1940s-- West Oakland then, a place where black people were just two percent in a population of immigrants from Greece, Portugal, Ireland, Germany, and Italy. The affluent lived in the hills, the poor folks in the flatlands.

Kim Roberts Hedgpeth and Carla Marinucci
Hosts: Pam Moore and Barbara Rodgers
Her father and the men in Davis's family migrated west to avoid being lynched when her uncle who had been injured at the Armour Meat Packing Company sued the company located in Monroe, Louisiana, and won. Davis writes of the journey west with her younger brother on a train so full she sat on her suitcase for the journey as she watched wide-eyed black enlisted men in uniform.

Davis speaks of lynch mobs in the south and north often in her memoir and major KKK rallies at the Oakland Auditorium just 15 years before she arrives in Oakland. The Klu Klux Klan was nation-wide with dire unrestrained, unlawful yet unchecked consequences for black citizens--a situation that followed her north.

It was this kind of personal injustice that fueled Davis's work once she'd earned her chops--she started a black beauty contest, Miss Bronze America, when Miss America refused to allow black women entrance prior to 1970 (74-82). She writes about protests here in San Francisco an indication that the goals of the Civil Rights Movement spread across the nation.

Dr. Ruth Love; Belva Davis
Dan Rosenheim; Stacy Owen
In her amazing book Davis writes of how as the first person in her family to graduate from high school, she couldn't afford college, despite a scholarship, so she got married and started working at the Oakland Navy Supply Center as a clerk typist. Two children later, she left the abusive marriage and began her journalism career which was never lucrative, easy or without sacrifice, yet to look at Ms. Davis Saturday evening, February 23, 2013, as much of Northern California celebrated Chinese New Year with the annual parade, there she was, hair styled just so, in a lovely powder blue two piece suit, matching shoes, surrounded by colleagues and friends who appreciated her tenacity and daring attitude which kept her saying yes, even when she did not know what exactly that yes entailed or how she was going to pull it off, but with research, support and mentors along the way, she always did, one would never believe the toll such tenacity took on her family and herself.

Former SF Mayor, Willie Brown, moderator
Former San Francisco Mayor Willie Brown hosted two roundtables on the borrowed KQED set, from Belva's Show, This Week in Northern California where he and Davis's former colleagues and mentors, spoke about how Davis seemed to set the mood and attitude of the work environment wherever she happened to be over her 50 year career. They spoke passionately about her integrity and respect for both subject and audience and how this came through repeatedly and served for one panelist as a litmus test for him later on in his career when he refused an assignment that compromised his moral values, was sued for a breach of contract and later won.

MCs: Pam Moore; Barbara Rodgers
My friend and colleague from the College of Alameda Carlotta Campbell was with me at the Davis Tribute and knew everyone, so it was nice listening to her stories and watching the happiness with which she was greeted by one journalist after another. It was certainly a reunion of sorts for a lot of people who no longer live in the area. People flew out for the Tribute from Los Angeles, Chicago and elsewhere. Bill Cosby, a great friend of Ms. Davis, appeared in two videos. In one he kept confusing Ms. Davis with Harriet Tubman who worked as a general in the Union Army, and according to Cosby, "knew George Washington Carver and Booker T. Washington."

Charles Ward; Belva Davis
Humorous, yet the analogy certainly rang true as over the course of a splendid program led by Charles Ward and supported by a marvelous honorary committee headed by the Bay Area Black Journalist Association, which Davis helped found, AFTRA which she led for many years, KQED and others, truly if there were a modern symbol for Gen. Tubman, Davis is certainly it.

Senator Diane Feinstein gave a special tribute to Ms. Davis and read a letter from President Obama, thanking her for her tireless work in truly being the voice of the silenced and voiceless for the past 50 years. Funny how Davis's career parallels that of her marriage to Bill Moore. The couple celebrated their 50th Wedding Anniversary that evening and so did we all as Lamont McLemore, founding member of The 5th Dimension, held his glass in the air as did we all and wish the couple well.

Senator Dianne Feinstein
There were lots of flowers given to Davis while she could smell them, a spa day too, with a brunch invite for Bill to join Belva later on that afternoon (smile).

Bill Moore and wife, Belva Davis, listen as Barbara Rodgers
reads a message from Maya Angelou

The couple's 50 year marriage is in itself, is a tribute to their teamwork and synergy witnessed in mutual appreciation each has for the other. The two certainly, as Davis tells it, played to each other's strengths. There were no prescribed gender roles in their household and so from this team both on and off the air grew journalists who brought news to a public from a perspective perhaps not couched in the dominant discourse of the time(s).
Cheryl Ward with her husband Charles, Belva Davis

If nothing else, Ms. Davis is current. I am surprised no university has awarded her an honorary doctorate degree in all these years, considering how this self-made woman has continued to inspire and mentor journalists from many of the more prestigious institutions, UC Berkeley's School of Journalism and San Francisco State University's two of its finest. SFSU will house her papers and effects. Funds raised that evening will go to support the Belva Davis Archive Project at SF State. The University Library also plans to house Bill Moore's photographs as well. Support can be mailed to: Belva Davis, 588 Sutter Street #297, San Francisco, CA 94102.

Danny Glover and other panelists
Fearless in the face of a screaming mob at the Republican National Convention who challenged her and KDIA news director Louis Freeman's (July 1964) presence there hurling bottles and other objects at them once the mob discovered them in the stands. This scene opens her book and another similar one towards the end of her sojourn bookends a tale of the fight for justice her life on the air and in the street represented.

She writes, "I must confess that I didn't grow up with an inherent affection for unions. In my family, we knew that union shops were the gatekeepers and that they looked out for their existing white members at the expense of minority newcomers. Unions made getting work harder for the men in my family--my father, uncles, and even my husband. They couldn't get a high-paying union job without union membership, and they couldn't obtain union membership unless a certain number of white members were willing to withstand rebuke from their fellow journeymen and vouch for the newcomers" (181).

Belva Davis surrounded by family: husband, daughter and son
Earlier in Never in My Wildest Dreams, Davis, tells us how she prodded her white journalist colleagues to vouch for her husband so he could join the union and get a full time job, which he did as the first black man to work as a cameraman at a major TV network, KTVU. The woman photographing the Tribute, Cordetta Spells, was in 1985, the first black woman camera person to work for a major network station in the country when she went to work at KPIX-TV. The evening was filled with such mavericks, and as Davis tells it, and Spells echoes years later, it was not easy being the first.

It was dicey for the family of four to make ends meet. At one time Davis says she was bringing home about $80 and her husband not much more, but they were able to meet their $132 monthly mortgage on their El Cerrito home. Journalism was not a lucrative career and Davis writes of juggling multiple gigs at different outlets so she could meet financial obligations.

Carlotta Campbell and Cordetta Spells
Just as many black singers credit their start to the black church, Davis's journalism career too began in the  black community, first at the Independent and Jet, the Sun-Reporter, later KDIA where she launched, The Belva Davis Show.

Bitterman, Roberts-Hedgepeth, Marinucci
She writes, "For years I had gotten along by gluing together the chips and pieces of part-time and free lance paychecks into a mosaic that did not quite yet depict a career (62). This until one of Davis's friends, Odessa Broussard, traffic manager at KDIA asked her if she would consider taking her place at the station. Broussard was married and expecting the first child of Allen Broussard, the eventual first African American president of the California Judges Association and associate justice of the California Supreme Court.

And so The Belva Davis Show was launched, two hours on Saturdays. Davis secured advertising for her show and the station bureaucracy left her to her "womanly devices." Her first guest was Ella Fitzgerald and the list of established and up and coming artists many performing in clubs in both Oakland and San Francisco includes Diahann Carroll and Nancy Wilson appeared in her studio where she had a live listening audience of one hundred and a grand piano--how cool is that?! When the artists could not make a live appearance, Davis recorded interviews at clubs where she had to "haul her chunky tape recorder where she spoke to artists before or between sets (65).
Charles Ward

These interviews were not always successful as illustrated in Davis's attempt to interview Miles Davis, who refused; however, she alone was the choice when as the lone woman, black woman, at that, persuaded Frank Sinatra appearing at the Cow Palace in San Francisco to allow her an interview (65).

"'So how come you're shaking like a leaf?' he asked Davis.

Charles Ward, Belva Davis, Lamont McLemore
'I'm sorry, Mr. Sinatra . . . [i]t's just that I'm terribly nervous. I know I shouldn't be nervous, it's just that. . .'

'He raised a hand. 'Stop. Let me tell you something.' He leaned forward and stared intently at me. 'The day I walk out on stage and I'm not nervous is the day I quit'" (66).

Congresswoman Barbara Lee
It is here that we meet Bill Moore, Davis's "silent partner," an old friend who'd worked in Chuck Willis's darkroom and would deliver Davis's copy when she was running late. She didn't realize she loved Bill until her friend Nancy Wilson told her she "should marry him and stop running around with these musicians", a sentiment echoed by her son, who asked Bill one day, when "he was going to marry his mother (67-68). This chapter, entitled, "Lucky 13," is lucky for many reasons the most important love.

In her friend and husband Bill Moore, Davis had the support to really fly. Bill neither tethered or clipped her wings, rather here and elsewhere in Never in My Wildest Dreams, we see how the two model unconditional love. Bill is a man who is very secure in himself and his manhood and has no problem supporting his ambitious wife. One could see this when the two were on stage at the end of a wonderful evening, then later on as well-wishers mingled, took photos with the star couple, said hi to acquaintances some who hadn't seen each other in many years.

Belva Davis and husband, Bill Moore
One of the first visible power couples--Bill and Belva, at one point the two were the only parents their children knew who had their own his and hers set of gas masks part of the survival gear for coverage of the Anti-Vietnam War protests in Berkeley, Free Speech Movement, and the San Francisco State Student Strikes. While Belva Davis was not necessarily the flavor of the month, Moore definitely had a lot more trouble getting refrigerated as both black and male, so the two played to their strengths and where Bill was denied entree, his wife wasn't and so the couple was able to further righteous causes that benefited their people and ultimately other underrepresented citizens and so this nation.

W.E.B. Dubois, Malcolm X, Muhammad Ali (then Cassius Clay) . . . . Fidel Castro. Her coverage of the Embassy bombing in Kenya and Tanzania and American networks under reporting of what happened there, especially to African people was not applicable to her station as she challenged the news copy writer to not let it happen again, in a climate where then and now fatality numbers for the non-Americans are not counted.

Flowers and other gifts are announced
She writes of Martin King's visit to the Santa Rita prison to check on Joan Baez, a friend and civil rights activist of his who was jailed for her protests. Davis reflects on the wait and how in the end, her one carefully crafted question and King's answer was the one major stations picked up and carried long after the cold drizzly day, January 14, 1968 was past and King was shot and killed just four months later (105).

She writes often of her hair and the effects of weather on it as it reverted back to its natural state. At Santa Rita, the camera man commented, "Belva, what's happening to your hair," as without umbrella or scarf, it behaved naturally (smile). She gave him a look that silenced him.

At the tribute as luminaries shared their stories of Ms. Davis, with Barbara Rogers, host, Comcast Newsmakers and Pam Moore, News Anchor, KRON-TV, giving opening remarks, followed by Attorney General Kamala Harris, Senator Dianne Feinstein, Congresswoman Barbara Lee, John Boland, President, KQED, and Bob Butler, Vice President, National Association of Black Journalists--announcing each speaker (smile), to the great entertainers like singers Crystal Jackson and Nicholas Bearde with a dynamite quartet headed by Lloyd Gregory (guitar), Ron Belcher (bass), Deszon Claiborne (drums), and Glen Pearson (piano), the evening, to put it lightly, was delightful.

Glover and other panelists
However, my favorite part of the evening besides an opportunity to see Davis's children, whom I'd read so much about, Steven and Darolyn Davis share stories about their mother, the panels, moderated by former San Francisco Mayor, Willie Brown was a special treat I will never forget.

Glover and other panelists
We were able to overhear secrets about the "wild woman Belva Davis" Carla Marinucci, Senior Political Writer, San Francisco Chronicle, told us about. On a majority woman panel, the set borrowed from KQED used by Davis for "This Week in Northern California" for 15 years, panelist after panelist spoke about this little woman, who had fire in her veins, and extra fuel in auxiliary pack just in case she needed to share her spark with others. Kim Roberts Hedgpeth, Former National Executive Director, AFTRA, shared wonderful accounts of Davis's organizing skills around union representation in all aspects of broadcast journalism. This also extended to programs advertised on such news shows. Where was the diversity in the commercials, TV sitcoms, talk shows? She challenged studios to let their dollars work in favor of more equitable programming all around especially in giving actors of color work.

Brown and Bitterman
Other panelist with Marinucci and Roberts Hedgpeth were Mary G.F. Bitterman, President, The Bernard Osher Foundation, Stacy Owen, Assistant News Director, KNBC TV, Los Angeles and Dan Rosenheim, Vice President, News Director, KPIX/KBCW TV.

 Fred Zehnder and Roxanne Russell
The proceeding panel featured: Phil Bronstein, Executive Chairman, Center for Investigative Reporting, Danny Glover, Actor/Activist, Ron Magers, News Anchor, ABC7 TV, Chicago, Roxanne Russell, Associate Professor of Journalism, George Washington University, Fred Zehnder,  News Director, KTVU TV (retired); Newspaper Publisher of two East Bay Newspapers.

I'd read about Professor Russell in Davis's book, so to see the woman described as fresh out of college full of theory with no practical experience was a treat. Gone was the mini skirt and long blonde hair, however, the woman Davis had initial trepidation working with so many decades later retold some of these stories of the two of them against a male-centered, white male-centered view of the world which slowly with special programming and coverage in their newsroom began to change.

Belva Davis and husband, Bill Moore
Davis and Russell turned the KPIX-TV newsroom out with coverage of stories previously not considered newsworthy like breast cancer, the prison system, and other issues which always seemed to garner a local Emmy (smile). Davis knew these people, because she was one of them. Never forgetting her Monroe, Louisiana, or West Oakland roots, the struggles of her mother and father, uncle and husband for that matter, Davis championed the silent majority who were her audience, her litmus test.

Ron Magers spoke of how he used Davis as his ethical compass and had to break a contract with a station--scary stuff, but his tenacity and belief in his convictions won out.

When one thinks about "trust walks," Belva Davis's life exemplifies that of a woman who was inspired and rightly guided by the early principles she shares with her readers: being useful, having faith and patience, and believing in oneself and one's capacity for greatness. Adept from childhood at being invisible and when visible learning to kept her own consul, Davis's Never in My Wildest Dreams is just that 50 years later, a dream come true.Here is a link to an interview with Ms. Davis earlier that week, broadcast on Wanda's Picks Radio http://www.blogtalkradio.com/wandas-picks/2013/02/22/wandas-picks-radio-show
Stacy Owen, Assistant News Dir., KNBC TV, Los Angeles
John Boland, President, KQED

Belva and a friend

Kim Roberts Hedgpeth
Second Panel. Kim Robert Hedgpeth speaks about Belva
and union organizing
Belva and friends
Dan Rosenheim
Carla Marinucci
Belva surrounded by friends and family

Lamont McLemore making a toast to Belva and her husband
on their 50th Anniversary
Charles Ward, Belva Davis, Lamont McLemore
Singer, Crystal Jackson with former MoAD Director, Denise Bradley

Belva and Crystal
Belva's son,  Steven Davis and daughter, Darolyn Davis
Carla Marinucci
Glen Pearson, Lloyd Gregory, Ron Belcher, Deszon Claiborne
Lloyd Gregory, Ron Belcher, Deszon Claiborne

Glen Pearson

Friday, February 22, 2013

Wanda's Picks Friday, February 22, 2013

The continuing story of Jerri Lange, a former Chronicle reporter; SFSU professor and longtime television host whose groundbreaking broadcasting career spanned several decades.Now in her late 80s, Jerri is still exploring, most recently becoming the student of a Master Zen Buddhist priest.  This exhibit follows not only her past work but focuses on her love for Japan and her ongoing spiritual journey. Meet Ms. Lange, Sunday, February 24, 2013, 2 PM in the Koret Auditorium, Lower Level, Main Library. http://sfpl.org/index.php?pg=1012883001

Belva Davis
has been a fixture in Bay Area journalism for more than five decades. Since becoming the first black female television journalist in the West in 1964, she has covered events of local, national, and international scope; interviewed US Presidents and other world leaders; and, for the past 19 years, served as the host of KQED’s must-watch public affairs program “This Week in Northern California.”

Belva announced her retirement from broadcasting last year, and signed off the air on November 9. Join newsmakers, colleagues and friends in celebrating Belva’s historic career with a reception and a program of interviews, tributes, and surprises presided over by former San Francisco mayor Willie Brown. Visit http://ybca.org/belvadavis

Teri Simmons
pops into the studio to talk about the big free concert this weekend, Sunday, February 24, 2013, 4-6 p.m. at St. Paul's AME Church in Berkeley, 2024 Ashby Avenue http://www.stpaulberkeley.com/cms2/uploads/Image/StPaulHealingEBlast2.jpg concert this weekend Black Choreographers Festival Here and Now 9 concludes this weekend with Next Wave, new, seasoned and up and coming artists.

We are joined by Serenity, Afia Thompson and Nafi Watson-Thompson, featured choreographers this weekend. Visit www.bcfhereandnow.com

Music arranged by Teri Simmons, "His Eye is on the Sparrow/It is well with my Lord."

Ms. Lange with Buddhist Monk
Bios:

Jerri Lange


Black History Month starts off at the San Francisco Public Library with a very special private collection photo exhibit, One Woman’s Spiritual Journey to the Heart, presented by Jerri Lange, one of the first African American journalists and television talk show hosts in the San Francisco Bay Area. At 88, Jerri presents beautiful photos that reveal her life’s journey here in the San Francisco Bay Area, along with moments from time spent in Kyoto, Japan, during her profound spiritual and life changing studies and experiences in 2006 under the auspices of Hoju Roshie, a Master Zen Buddhist Priest. Jerri’s passion for learning about the cultures of the world, and her love for the Japanese culture because of her experiences in Kyoto have flourished throughout the years. She uses this passion to help people, especially young African Americans and other people of color, embrace the concept that we are all connected to the same source, and that education through school, reading, researching, and traveling will tremendously enhance their lives.

On July 29, 2012, Jerri received the prestigious Living Legend Award from the renowned Third Baptist Church in San Francisco, CA. Jerri is an award winning journalist who from 1969 to 1979 hosted community-based television shows in the Bay Area on KEMO, KBHK, KGO, and KQED (where she became the first black woman to host a national talk show, Turnabout, and where she served on the Board). Jerri has interviewed world leaders and great entertainers, including Professor Arnold Toynbee, a historian from the Royal Institute of International Studies in London; Sammy Davis, Jr.; Rock Hudson, and many others. She was a professor at San Francisco State University, lectured a graduate class in communications at Stanford University, was correspondent in Africa for the San Francisco Chronicle, and was creator and publisher of the magazine, Amberstar, in Hawaii. In her book, Jerri, A Black Woman’s Life in the Media, she tells of her extraordinary experiences and how they shaped her life.

Don’t miss Jerri’s beautiful exhibit, One Woman’s Spiritual Journey to the Heart, from February 2 to May 2, 2013, at the San Francisco Public Library, The African American Center, 100 Larkin St., San Francisco. You can meet Jerri at her special event on Sunday, February 24, from 2 to 4 p.m., at the San Francisco Public Library, Main Library, Koret Auditorium, 100 Larkin St., San Francisco. There will be outstanding special guest appearances by local media, along with Haiku poetry readings, performances by exceptional Japanese and African American musicians and entertainers, and more.

Belva Davis

Belva Davis

"As the first black female TV journalist in the West, Belva Davis helped change the face and focus of TV news. Now she is sharing the story of her extraordinary life in her spellbinding memoir, Never in My Wildest Dreams. As literary luminary Maya Angelou observed, 'No people can say they understand the times in which they have lived unless they have read this book.'

"It offers an unflinching account of Davis’ struggle to break into broadcast journalism at a time when stories of particular importance to African Americans and women rarely made mainstream newscasts. When news directors preposterously claimed that blacks couldn’t pronounce long words because their lips were 'too thick to enunciate properly.' When a San Francisco station manager dismissed her from a job interview by explaining that he just wasn’t 'hiring any Negresses.'

"But Davis, a young single mother struggling to raise two small children, refused to be deterred – the fact that a racist mob pummeled her with insults and trash at the 1964 GOP convention only made her more determined to persevere. And ultimately she did, rising to become one of the most respected and trusted local journalists in the country.

"One of her early viewers was Bill Cosby, who was then living on a houseboat in the Bay Area. Cosby writes in the book's foreword, 'Belva Davis was someone who sustained us, who made us proud….She was the first woman of color that many viewers came to know and trust, and she met that challenge with integrity and dignity and grace.'

"In a career spanning half a century, Davis has reported many of the most explosive stories of the era, including the Berkeley student protests, the birth of the Black Panthers, the Peoples Temple cult that ended in the mass suicides at Jonestown, the assassinations of San Francisco Mayor George Moscone and Supervisor Harvey Milk, the onset of the AIDS epidemic -- and from Africa, the terrorist attacks that first put Osama bin Laden on the FBI’s Most Wanted List. During her career, she soldiered in the trenches in the battle for racial equality, and brought stories of black Americans out of the shadows and into the light of day. And along the way, she encountered a cavalcade of cultural icons: Malcolm X, Frank Sinatra, James Brown, Nancy Reagan, Huey Newton, Muhammad Ali, Alex Haley, Fidel Castro, Dianne Feinstein, Condoleezza Rice and more.

"It has been an amazing odyssey for Davis, who was born to a 15-year-old Louisiana laundress during the Great Depression. Raised in the crowded projects of Oakland, confronted by racism and abuse, Davis was destined to achieve a career beyond her imagination. She has won eight local Emmys and a number of Lifetime Achievement awards -- including honors from the International Women’s Media Foundation, the National Association of Black Journalists', and the Northern California chapter of the National Association of Television Arts and Sciences. She is profiled in the Newseum, the world’s first interactive museum of news. Davis continues to host a weekly news roundtable and special reports at KQED, one of the nation’s leading PBS stations.

"Davis also writes about her life as a volunteer supporting organizations focused on helping people improve and change their lives. She is member of Links Inc. and an Honorary member of Alpha Kappa Alpha Sorority.

'Belva Davis has lived this country’s history as only a brave black woman could and has witnessed it as a journalist with a world-class head and heart,” noted feminist leader Gloria Steinem. “I don’t think it’s possible for anyone to read her words in Never in My Wildest Dreams without becoming a better and braver person.” Her memoir, written with award-winning journalist Vicki Haddock and published by PoliPoint Press, reminds us all never to fear the space between reality and our dreams.'"

Taken from: http://www.belvadavis.com/about


Teri Washington Simmons

Teri Washington Simmons, composer, arranger, pianist and organist, is a native of Oakland, California.   She was born to Clifford and Patsy Washington.  Under the care of a loving great-grandmother, Ms. Lillie Tillman, she started attending Market Street Seventh-day Adventist Church from the time she could walk.  Later she accepted Christ and was baptized into the membership of  Market Street.  She started GGA in her first grade of education and later graduated from GGA in 1975.  After graduating, she continued to further her studies at Oakwood College, Huntsville, Alabama , Laney College, Merritt College and Contra Costa College, majoring in Business Administration and Music.

Teri remembers listening to her father, Clifford, an usually gifted saxophonist, composer and arranger, during her early years and later, she accompanied him on the piano when he performed at various church functions.   She developed her musical gift at the Market Street Church, playing for early Sabbath morning Bible Study, moving on to playing for church services and for the Goldenaires, under the direction of Richard Kissling.  While in her early teens, a young promising vocalist and director, Miss Mary Cobb, took her under her wings and became her mentor, introducing Teri to a wider range of musical knowledge and skills such as classical music and the art of performing spirituals.  During this period, Teri also began her work as the musician for the Revelations, a gospel singing trio-- Betty Tipton, Eleta Cooke and Joni Hayward, and developed a relationship which lasted for over a decade.

She has been a Minister of Music for over 25 years, providing music program leadership for many churches throughout the Bay Area, the most recent is the McGee Avenue Baptist Church of Berkeley.  She attends the Elmhurst Seventh-day Adventist Church where she serves as church pianist and organist. She has been the presenter for many workshops, has traveled throughout the United States as guest organist and pianist for many choirs and artists, and has received numerous awards and certificates.  More recently she was voted as Outstanding Organist during the 1999 Bay Area Gospel Academy Awards.  In 1997 she received the coveted  ORBY Award for Professional Leadership from the Bay Area National Chapter of  Operation Reachback, an Seventh-day Adventist Black Professional Organization.

In 1988, after surviving a devastating fire which destroyed her family’s entire home and possession, she formed the singing group, “Teri Simmons With Renewed Faith.”  Under her direction and leadership, the group released their first album-length recording in 1994, “Use Me Your Way” which features original selections written and arranged by Teri.  Each selection features inspired messages drawn from Teri’s personal Christian experiences. 

In addition to accompanying others, Teri has written and published over two hundred original works.  Although she is known for her performances of contemporary and gospel music, earlier this year, Teri decided there was a definite need for quiet, soothing music, so she released a cassette tape of favorite hymns and inspirational selections.  She has been working with various singing artists in producing their professional recordings.  Ms. Shirley Graves and Ms. Betty Tipton are two of her current clients she has co-produced. 

She is married to Henry Simmons and has two children, Henry Arthur, Jr., and Cerrissa Simmons. 

•    Organist, Celestial Choir, Taylor Memorial Church, 1990 to present.  Toured with choir to Houston, Texas, Trinidad, W.I., Brooklyn, New York and North Carolina.

•    Workshop Presenter.  Composition: BAMM, Seattle, WA - 1995; Musical Styling and Selection: NAACP/NANM, Oakland, CA - 1994, Songwriting and Copyright Law: New Hope Baptist Church - 1994;   Published and produced eight collections of original music and one recording of original music, “Use Me Your Way”; 

•    Program Coordinator, Project HOPE Musicals (East Oakland Ministerial Alliance), 1984 to 1989

•    Founded “With Renewed Faith” choral group - 1988 to present; Produced and arranged CD and cassette of original works as performed by “With Renewed Faith”.  Project: “Use Me Your Way”  - Released 6/94

Black Choreographers Here and Now Friday, Feb. 22-24, 2013 presents:

Serenity

By trade, Serenity is a dancer/choreographer/director and teacher. In a world of increasing disparity, she finds and creates beauty that kindles the heart and in 2002, while attending SFSU, she established SeDaCo, a dance theatre company and creating ever since. Her work has been seen at the Kennedy Center in DC, ODC/SF Pilot series as well as other performance venues in the SF Bay.

Serenity is a recent M.B.A. graduate from Lokey Graduate School of Business at Mills College in Oakland, Ca. While studying at Mills, she had the opportunity to work with Grameen Trust, a subsidiary of Grameen Bank in Bangladesh, to study the Grameen model of microfinance and also led the Net Impact chapter at Mills College for two years. Serenity is currently serving as director of programs at Shinda Foundation, where the organization supports and empowers communities in Arusha Tanzania through education, technology, and learning resources so that they can become self-sufficient.  Throughout all of her experiences, Serenity draws inspiration from the local start-up community and is currently working on her own ideas which incorporate her thirst to make an impact.

Afia Thompson

Afia “BeautiFull- 1” Thompson received her acclaim 20 years ago in West African dance and has since performed nationally and internationally in other genres such as jazz, hip-hop, Lindy Hop, freestyle, and modern dance. She is constantly refining her skills and versatility as a performer through yearly conferences, workshops, and performances.  She has taught classes in the Oakland community for 15+ years to professional dancers and dance enthusiast ranging in age from 5 to 65 years old.

Afia Thompson and daughter Nafi Watson-Thompson founded Bahiya Movement in 2011.  As directors, the dynamic mother/daughter duo fuse hip-hop, jazz, modern, and African dance to create an electrifying, energitic movement that stands above the rest.

Afia’s vision for Bahiya Movement is to cross and break all barrier lines regarding body image and self-esteem through the art of dance.  Her goal is to show the world that it’s not about your body size or type that defines you as a dancer, but rather the skill, technical training, creativity and love of the art that does.

Nafi Watson-Thompson

Nafi Watson-Thompson began dancing at the tender age of three with Spelman College’s youth dance program in Atlanta, GA.   She is a well-rounded performer/ choreographer and studied West African with Diamano Coura West African Dance Company and Hip-Hop, Modern Jazz, and Ballet with Dimensions Dance Theater’s Rites of Passage program. She has worked with talented professional as Dawn James, LaTanya Tigner, Corey Action, Traci Bartlow, Carla Service and many more fabulous choreographers.  She trained with Dimensions Extensions Performance Ensemble, under the direction of LaTanya Tigner who focused on strengthening Nafi’s technique while developing her to becoming an accomplished performer.  Nafi’s time at Skyline High School with Dawn James enhanced her skills as a dancer and helped transform her into to a young woman.  Her desire to explore different types of dances, made her appreciate dance and widen her dance vocabulary. Her focus is to continue learning and perfecting her skills towards becoming an extraordinary dancer. Nafi feels that there is no room for errors or setbacks as a dancer due to injuries.  Therefore her number one focus as a dancer is to connect and stay in tune with the body.  Dancing is a big part of her life. She loves dance!  Dancing helped mold her into the young lady she is today.