Interchange
At a time historically when conversation is for the most part a lost art, I am amazed that the only people talking are those trapped next to each other on flights or in prison cells on lockdown, or on sinking ships once the last lifeboat is filled. Conversation is not the penalty for isolation, but often it feels such.
Wednesday, July 25, 2018
Wanda's Picks Radio Show, Wed., July 25, 2018
2. Ayanna Anderson, creative architect of Donor Network West & AAMLO's Giving Me Life multimedia-exhibit at AAMLO (06/09-08/31). Dr. Maisha Gray-Diggs (donor recipient); Eric Murphy, photographer, curator donornetworkwest.org/about/
3. Dennis Rowe, dir. "Port Chicago 50," at SF State's McKenna Theater in Creative Arts Building, July 28, 3 p.m. and 8 p.m., has been producing for over twenty years under his company, Dennis Rowe Productions/ Entertainment. Rowe has an extensive theater background where he has written, produced, developed and directed over eight shows. He just finished producing his show Port Chicago 50 at the National Black Theater Off-Broadway in New York. portchicago50.eventbrite.com
4. Othello Jefferson, Musical settings and Concept for BATCO's "I Too, Sing America,"
July 27-28: www.sfbatco.org/tickets (Use "Othello" in code for a discount)
Here is a link to show:
http://tobtr.com/10896773
Monday, July 23, 2018
Wanda's Picks Radio Show, Friday, July 20, 2018
This is a black arts and culture site. We will be exploring the
African Diaspora via the writing, performance, both musical and
theatrical (film and stage), as well as the visual arts of Africans in
the Diaspora and those influenced by these aesthetic forms of
expression. I am interested in the political and social ramifications of
art on society, specifically movements supported by these artists and
their forebearers. It is my claim that the artists are the true
revolutionaries, their work honest and filled with raw unedited passion.
They are our true heroes. Ashay!
1. Ethnic Dance Festival Week 2: Ananya Tirumala, performs South Indian Kuchipudi dance form. The ten year old student joins us with her mother, Anupama Mahabhashyam
2. National Town Hall Meeting to End Incarceration of Women and Girls, Sat., July 21, 1 p.m. with Indigo Mateo, CURYJ, Alisha Coleman, CCWP, Amika Mola, YWFC and Julia Arroyo, YWFC.
3. Shotgun Theatre presents: "White" by James Ijames through Sunday, August 5. We speak to actress, Santoya Fields and Assistant Director Samira Mariama Hamid. https://shotgunplayers.org/
4. Joshua Moore, curator at SF Jewish Film Festival, July 19-Aug. 5: https://jfi.org/sfjff-2018/
5. Amy Mueller, Artistic Director, Bay Area Playwrights Festival with Kristiana Rae Colón, playwright, "suspension." playwrightsfoundation.org
http://tobtr.com/s/10889833
1. Ethnic Dance Festival Week 2: Ananya Tirumala, performs South Indian Kuchipudi dance form. The ten year old student joins us with her mother, Anupama Mahabhashyam
2. National Town Hall Meeting to End Incarceration of Women and Girls, Sat., July 21, 1 p.m. with Indigo Mateo, CURYJ, Alisha Coleman, CCWP, Amika Mola, YWFC and Julia Arroyo, YWFC.
3. Shotgun Theatre presents: "White" by James Ijames through Sunday, August 5. We speak to actress, Santoya Fields and Assistant Director Samira Mariama Hamid. https://shotgunplayers.org/
4. Joshua Moore, curator at SF Jewish Film Festival, July 19-Aug. 5: https://jfi.org/sfjff-2018/
5. Amy Mueller, Artistic Director, Bay Area Playwrights Festival with Kristiana Rae Colón, playwright, "suspension." playwrightsfoundation.org
http://tobtr.com/s/10889833
Wanda's Picks Radio Show, Special Broadcast Monday, July 24, 2018
This is a black arts and culture site. We will be exploring the
African Diaspora via the writing, performance, both musical and
theatrical (film and stage), as well as the visual arts of Africans in
the Diaspora and those influenced by these aesthetic forms of
expression. I am interested in the political and social ramifications of
art on society, specifically movements supported by these artists and
their forebearers. It is my claim that the artists are the true
revolutionaries, their work honest and filled with raw unedited passion.
They are our true heroes. Ashay!
1. Ron Yassen (Director) of "Crossroads," a featured selection of the SFJFF, is an Emmy® Award-Winning sports documentary producer and director who began his career at Classic Sports Network and a founding member of Network of Champions. He has produced and directed numerous films, including Roger Maris: Reluctant Hero, Glory in Black and White, and Kareem: Minority of One. He is a partner at Roadside Entertainment. https://jfi.org/sfjff-2018/film-guide/crossroads
2. Deborah Santana, ed. All the Women in My Family Sing https://allthewomeninmyfamilysing.com/
3. Kristiana Rae Colón's "suspension" is a part of the SF Playwrights Festival July 2018. She is also a poet, playwright, actor, educator, Cave Canem Fellow, creator of #BlackSexMatters and co-director of the #LetUsBreathe Collective. She was awarded 2017 Best Black Playwright by The Black Mall. Amy Mueller, Artistic Director, Playwrights Foundation, gives an introduction, overview of this 2018 season, July 20-29. http://playwrightsfoundation.org/bapf2018/
1. Ron Yassen (Director) of "Crossroads," a featured selection of the SFJFF, is an Emmy® Award-Winning sports documentary producer and director who began his career at Classic Sports Network and a founding member of Network of Champions. He has produced and directed numerous films, including Roger Maris: Reluctant Hero, Glory in Black and White, and Kareem: Minority of One. He is a partner at Roadside Entertainment. https://jfi.org/sfjff-2018/film-guide/crossroads
2. Deborah Santana, ed. All the Women in My Family Sing https://allthewomeninmyfamilysing.com/
3. Kristiana Rae Colón's "suspension" is a part of the SF Playwrights Festival July 2018. She is also a poet, playwright, actor, educator, Cave Canem Fellow, creator of #BlackSexMatters and co-director of the #LetUsBreathe Collective. She was awarded 2017 Best Black Playwright by The Black Mall. Amy Mueller, Artistic Director, Playwrights Foundation, gives an introduction, overview of this 2018 season, July 20-29. http://playwrightsfoundation.org/bapf2018/
Thursday, July 19, 2018
Long Buried Remains of Enslaved Black People Uncovered in Sugar land, a suburb southwest of Houston
(CNN)Months
after a Texas school district broke ground on a new technical center,
archaeologists there made a surprising discovery: the long-buried
remains of 95 people.
The
first remains were discovered in February in Sugar Land, a suburb
southwest of Houston. And now officials have learned who these people
probably were -- freed black people forced to work in convict labor
camps.
For
over a century, these graves were underground and untouched. But the
finding that they likely held the remains of slaves, which researchers
announced Monday, highlights an era that's largely forgotten in history
-- a time when slavery was illegal, but many blacks were essentially
still enslaved.
The Sugar Land
property is owned by the Fort Bend Independent School District, which is
building its new technical school on the land.
"It's
a remarkable opportunity for our community and our school district to
learn much more about the history of our local region," Superintendent
Charles Dupre said in a statement.
The site's archaeological project manager agrees.
"It's
a rare opportunity," Reign Clark of Goshawk Environmental Consulting
told CNN. "We'll be telling the story of what it was like to live here,
work here, and, in some cases, die here."
How they were found
It started with a hunch.
Reginald Moore took an interest in historical cemeteries after working as a Texas state prison guard in the 1980s. He no longer works at the prison, but he's still a community activist.
One
of his main focuses: getting people to recognize the abuses of the
Sugar Land convict-leasing system, in which prison inmates were forced
into labor.
"I felt like I had the duty to be an advocate for them and to speak from the grave for these people," Moore told CNN.
Moore is the caretaker of another cemetery in Fort Bend County: the Imperial Farm Cemetery,
which is nestled behind a shopping center off the highway. Near the
cemetery is the home of the school district's new James Reese Career and
Technical Center.
So when
construction on the Sugar Land school's center started last fall, Moore
told officials that other cemeteries might be nearby.
"He
has documented and provided a lot of information about the history of
that cemetery. He has a lot of ideas where the burials could've been,"
said Chris Florance of the Texas Historical Commission, which has played
an advisory role in the project.
What they found
The
bodies were each buried in individual wooden caskets. Of those analyzed
so far, all but one are men. Researchers say they could have been as
young as 14 and as old as 70.
They were probably buried between 1878 and 1910, Clark said.
Despite
the passage of time, researchers can tell that the workers were
malnourished or sick and faced huge physical stress when they were
alive.
Clark said there's lots of evidence that they were doing very heavy labor that, for some, began at a young age.
"We
can tell from the state of the bone and muscle attachment features that
these were heavily built individuals. Some bones were misshapen by the
sheer musculature and labor," Clark told CNN.
It's no surprise in Texas
Moore
wasn't the only one who wasn't shocked at the discovery. Florance said
his commission took a role in the project knowing a find like this could
happen.
"It's not uncommon in Texas," he told CNN.
What
was shocking, though, was how hard the graves were to find. The
commission had done assessments before construction began, Florance
said, but the land was so altered over the years that it was hard to
know anything would be there.
"One
of the biggest problems with old cemeteries is that the markers might
have gone away. There's no surface evidence," he said.
The are 177 cemeteries in Fort Bend County, but there could be as many as 50,000 cemeteries across the state. Only 1,706 have a historic Texas cemetery designation.
The 'Hellhole on the Brazos'
President
Lincoln's 1863 Emancipation Proclamation said all slaves who lived in
states that had seceded from the US were free. The 13th Amendment,
ratified in 1865, formally abolished slavery in all of the US.
That doesn't mean forced labor didn't continue.
After the Civil War ended in 1865 and slaves were outlawed, the Texas economy dropped into a deep depression. Businesses needed a new form of cheap labor. So they resorted to prisons.
The convict-leasing system
was essentially slavery all over again. Prisoners were taken from state
prisons and leased to private businesspeople who worked the laborers as
hard as they could for the cheapest price. And the less food, water and
shelter these workers got, the less they cost.
"One 14-year-old was 6 feet tall," Clark told CNN. "This population was hand-selected."
Sugar Land's economy had thrived on sugar cane plantations,
which largely relied on slave labor. So two Confederate veterans,
Edward Cunningham and Littleberry Ellis, signed a contract with the
state in 1878 to lease the state's prison population.
Conditions were so bad that the city got itself a nickname: "Hellhole on the Brazos."
"It had the worst reputation of all the prison farms in Texas," sociologist Richard Vogel told CNN affiliate KTRK.
What happens next
Digging up and analyzing all 95 graves takes serious time -- likely more than nine months' worth of work.
Each
unburial takes up to two days, plus up to eight hours of cleaning and
up to 15 hours for analysis, the school district said. So far, they've
dug up 50 graves and analyzed more than 22, Clark said.
Once
they're dug up, a team of forensic archaeologists will look for more
information on the corpses, such as their medical conditions and how
they died. After that, the school district will work with the state's
historical commission to figure out where to rebury them.
Moore wants to get a memorial for the group as a form of restitution.
"I'm speaking for those who didn't have a voice, then and now," he told CNN. "I felt like I was called to set them free."
Correction: A previous version of this story incorrectly stated the Emancipation Proclamation freed all slaves. The proclamation
said all slaves held in states that had seceded from the United States
were free. The story also corrects the date of the Emancipation
Proclamation.